Todd Haynes

AKA: 托德·海因斯
Birthday: 1961-01-02
Biography: Todd Haynes (/heɪnz/; born January 2, 1961; Los Angeles) is an American filmmaker. His films span four decades with themes examining the personalities of well-known musicians, dysfunctional and dystopian societies, and blurred gender roles. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's life and death, using Barbie dolls as actors. Superstar became a cult classic. Haynes's feature directorial debut, Poison (1991), a provocative exploration of AIDS-era queer perceptions and subversions, established him as a figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film, Safe (1995), a symbolic portrait of a housewife who develops multiple chemical sensitivity. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. His next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival. Haynes gained acclaim and a measure of mainstream success with Far from Heaven (2002) earning his first Academy Award nomination for Best Original Screenplay. He continued to direct critically lauded films such as I'm Not There (2007), Carol (2015), Wonderstruck (2017) and Dark Waters (2019). He directed his first feature-length documentary, The Velvet Underground (2021). Haynes directed and co-wrote the HBO mini-series Mildred Pierce (2011) for which he was nominated for three Primetime Emmy Awards.
May December 0 % of votes Discuss
Art-House America: Austin Film Society 0 % of votes Discuss
Image Book 0 % of votes Discuss
Douglas Sirk – Hope as in Despair 0 % of votes Discuss
The Velvet Underground 0 % of votes Discuss
Dark Waters: The Cost of Being a Hero 0 % of votes Discuss
Dark Waters 0 % of votes Discuss
At the Video Store 0 % of votes Discuss
Wonderstruck 0 % of votes Discuss
Xavier Dolan: Bound to Impossible 0 % of votes Discuss
Carol 0 % of votes Discuss
Six by Sondheim 0 % of votes Discuss
Great Directors 0 % of votes Discuss
I'm Not There 0 % of votes Discuss
Notes on the Death of Kodachrome 0 % of votes Discuss
Infinite Pleasure: Todd Haynes on Max Ophuls' Le Plaisir 0 % of votes Discuss
Maternal Overdrive 0 % of votes Discuss
Fabulous! The Story of Queer Cinema 0 % of votes Discuss
Eine Zärtlichkeit wie bei Sirk - Todd Haynes über Fassbinder und das Melodram 0 % of votes Discuss
Far from Heaven 0 % of votes Discuss
Velvet Goldmine 0 % of votes Discuss
Safe 0 % of votes Discuss
At Sundance 0 % of votes Discuss
Dottie Gets Spanked 0 % of votes Discuss
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Poison 0 % of votes Discuss
He Was Once 0 % of votes Discuss
Natural History 0 % of votes Discuss
Superstar: The Karen Carpenter Story 0 % of votes Discuss
Assassins: A Film Concerning Rimbaud 0 % of votes Discuss
The Suicide 0 % of votes Discuss
De Noche 0 % of votes Discuss